This is a detail of the painting I made from our Thames odyssey.I am rather fond of cows at the water's edge. This may not be the last.
©Rosie West 09
This is a detail of the painting I made from our Thames odyssey.

Looks as if I'm dreaming of being Hepburn and Bogart in my very own African Queen. (Forgot to take the pearls off from the night before? One must have standards ha.)
I am not sure if anyone will notice if I disappear for a week but we're off boating on the River Thames. We set out from Wargrave (in whose churchyard Madame Tussaud is buried) and potter westwards to Lechlade where the Thames is first navigable. It's an open boat with canvas dodgers and, I confess, a diesel engine. I wish we were repeating our Three Men In A Boat style rowing adventure of a decade ago.
KELMSCOTT MANOR. Watercolor [ca. 1905?] by Marie Spartali Stillman here

Party Mask with Shells 1936
Ide Collar 1922
Chair with materials 1936
Wallpaper Design 1936
Beach Equipment c 1936
Window with Plants c 1937
Terrace c 1938
Father and Son in Kitchen 1941
Victorious England captain Andrew Strauss holding a replica of the precious urn today. The Ashes is a Test cricket series played between England and Australia. It is one of international cricket's most celebrated rivalries and dates back to 1882. It is currently played biennially, alternately in Australia and England. Don't ask me to explain the intricacies of Test match rules to my American pals (or even to some of my British ones) save to say that one match will last up to 5 days and may often end in a draw, sometimes occasioned by the intervention of rain.
The velvet bag that originally held the urn
The new Waterford trophy dwarfs the original
Marie Daage Decoration - Creation sur Porcelaine Paris makes my pulse quicken. Many generations of the Daage family were painters of fine Limoges porcelain and Marie studied at the Louvre. Her heritage and education emerge in her ability to mix the traditional and the chic with great distinction. The sublime colour palettes, the circus stripes, the illustrative lightness of touch all give the work, in Marie Daage's own words, an air de fête











[Photo by Freda]
Isn’t this picture great of her as a newly wed/novice cook and I love the anecdote about inviting her brother and his wife for an evening meal. Working full-time as a teacher she decided on a simple supper of her mother’s wonderful vichyssoise, hot herb bread and, wait for it, prune cake. Becky only found out years later why her brother turned down a second helping of soup. He was waiting for the entrée. It made them both laugh.
Her formal table setting